Please introduce yourself and share your AAPI identity.
I’m Amanda, a faculty librarian! I’m Chinese-American. I was born in the deep south (Alabama) and have moved steadily west over the years. Washington is my 7th state to live in, and I attribute this life journey to my immigrant parents who were always looking for a better opportunity when I was a child. My father was born in Mississippi and his side of the family comes from a long line of laborers (pre-1960s Chinese migrants) in the railroads and mines. That part of my family was part of the “Delta Chinese”. My mother immigrated to the U.S. when she was a child, during the post-1960s era of “educated labor” - my grandfather got work as an engineer and brought her, her siblings, and my grandma over from Taiwan.
What does AANHPI heritage month mean to you? How do you experience it?
I free-wrote my thoughts about AANHPI month when I wrote a collegewide email earlier this month. And, re-reading that response, I feel like it is still true to my general feelings about the month. So, I’m re-posting a slightly revised version of what I had written there, to give folx a chance to read it (in case the email fell into their inbox black hole).
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AANHPI month is always a mixed blessing and curse for those of us in the AANHPI community. To me, it often means a lot of extra labor to produce "celebrations" and content for others to enjoy...labor that we take on because so many of our communities are rooted in service to others and we are not prone to making visible the hard back-breaking efforts we put ourselves through. This labor is not only done with great love, but it is usually not recognized or remembered outside of our community.
On the other hand, this month is one of the only times in the year when the nation and others outside of our communities truly take time to "see" us. We do not often share ourselves widely, and many of us do not ask for recognition or visibility. But the issues we struggle with, the burdens we carry, have the potential to be carried by others, in this one moment. It would be lovely if everyone were to celebrate and honor AANHPI communities every day of the year, just as we do for ourselves. But we know that is not always the reality.
So, I know deeply that we can take care of our own, no problem. But a small part of me does like it when others take the time to care for us, too. Perhaps, for now, having a nationally recognized month is the reminder people need to see voices that often scream in silence. Despite the burden that is often placed on AAPI communities during this month by the nation and systems of power...I do look forward to AANHPI month, if only so that others make the time to "see" me...when it is such a difficult thing for me to ask for myself.
What is a value or practice rooted in your AAPI community that you are proud of?
I’m not entirely sure how to call this practice, but it’s something like “I am my family, and my family is me”.
Sometimes this can manifest itself in toxic ways...for instance, the immense mental health challenges that Asian American students often face because their grades are an extension of their parents/family’s success. Thus a “unsatisfactory grade” is not only the student’s “failure”, but also the “failure” of their family. It is seen as deeply shameful, and, combined with a community that struggles to seek help, leads to severe impacts when a student is struggling in school (suicide rates among Asian American teens is quite high).
Like many cultural values and practices, it is a double-edged sword.
However, the reason why I am proud of this value is because it also means that I am part of a larger picture. What is mine is my family’s, and what is my family’s, is mine. We share our happiness collectively, just as much as we share our burdens.
I remember once my (white) husband telling me how he sometimes worries about losing his job, and the financial trouble we will face.
I understood that worry, and it is something we all might face. But, in that moment, I also realized why I did not feel that fear as deeply as he did. It’s because I knew, without a doubt, that I would have someone to turn to if times became tough. Just like my parents took my little cousin in for a year when we were kids, when my aunt broke her leg. Or when my aunt’s house burned down, and everyone shipped boxes and boxes of supplies and clothes to her immediately. Or even when a car has been passed between families and younger generations so often (from cousin to cousin to cousin...) that it is now known as “the family car”. In the end, I know that things will be okay. I have my family. And, as an AAPI individual...this includes my non-blood AAPI family as well. We are all each other’s aunties and uncles and cousins. We all take care of each other.
What is a stereotype that is commonly associated with your AAPI community or culture? What's your experience with that stereotype?
As an East Asian individual, I run up against the “model minority” stereotype quite often, and it’s a lose-lose situation. On the one hand, I am expected to be a “good” minority, but white people are taken aback when I “don’t smile enough” in a job interview. Or, when people find a typo in a document I created, because “it’s not like (you) to make mistakes”.
On the other hand, I’m not “of color” enough, or oppressed enough, to be seen as a part of the collective anti-racist movement.
I’m okay with this, to some extent. I acknowledge my privilege, as a minority more closely aligned with whiteness in this racial caste system we live in. I recognize my responsibility in fighting to combat my internalized whiteness that has been ground into me by my elders when assimilation was the key to survival.
But I am also filled with rage, for myself, and for my auntie who tells me to “always laugh at the white man’s joke”. I hate that I am placed in a position with high expectations that I can never successfully accomplish.
Is there an artist, creator, or storyteller from your AAPI community that you love? Who are they and why do you love them?
I wanted to end my interview on a more affirming note! But, since it’s long enough, I’ll just drop one artist recommendation here: Mimi Choi. She’s an amaaaaaazing makeup illusion artist. Check out her website portfolio (Mimi Choi Makeup Artistry — creatives) or Instagram (@mimles)!
I love that she is this amazing Asian woman who goes hard into this alternative art form (makeup) with themes and ideas that are wild, often sprinkled with various Asian cultures, and something disturbing to the point of grotesque. She takes a feminine aesthetic medium and her use of it defies images of the China Doll or geisha. I find her work mesmerizing.